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Indulekha is the biggest store for Malayalam Books. Indulekha stocks more than 12,000 Malayalam titles from more than 100 book publishes. Indulekha also publishes books in Malayalam. Oru imprints are Indulekha Pusthakam, Tamara and Book Solutions. This Ebook is in Malayalam language converted into PDF file. This book gives you the important Vaastu and FengShui tips before constructing your home. Moreover a lot of other information you should know before planning and designing your dream home.
Angkor Wat, a Hindu-Buddhist temple and World Heritage Site, is the largest religious monument in the world. This Cambodian temple deploys the same circles and squares grid architecture as described in ancient Indian VÄstu Åastras.[1]
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Vastu shastra (vÄstu ÅÄstra) is a traditional Indian system of architecture[2] which literally translates to 'science of architecture.'[3] These are texts found on the Indian subcontinent that describe principles of design, layout, measurements, ground preparation, space arrangement, and spatial geometry.[4][5] Vastu Shastras incorporate traditional Hindu and in some cases Buddhist beliefs.[6] The designs are intended to integrate architecture with nature, the relative functions of various parts of the structure, and ancient beliefs utilizing geometric patterns (yantra), symmetry, and directional alignments.[7][8]
Vastu Shastra are the textual part of Vastu Vidya, the latter being the broader knowledge about architecture and design theories from ancient India.[9] Vastu Vidya knowledge is a collection of ideas and concepts, with or without the support of layout diagrams, that are not rigid. Rather, these ideas and concepts are models for the organization of space and form within a building or collection of buildings, based on their functions in relation to each other, their usage and to the overall fabric of the Vastu.[9] Ancient Vastu Shastra principles include those for the design of Mandir (Hindu temples),[10] and the principles for the design and layout of houses, towns, cities, gardens, roads, water works, shops and other public areas.[5][11][12]
Terminology[edit]
The Sanskrit word vÄstu means a dwelling or house with a corresponding plot of land.[13] The vrddhi, vÄstu, takes the meaning of 'the site or foundation of a house, site, ground, building or dwelling-place, habitation, homestead, house'. The underlying root is vas 'to dwell, live, stay, reside'.[14] The term shastra may loosely be translated as 'doctrine, teaching'.
VÄstu-Åastras (literally, science of dwelling) are ancient Sanskrit manuals of architecture. These contain Vastu-Vidya (literally, knowledge of dwelling).[15]
History[edit]
Proposals tracing potential links of the principles of composition in Vastu Shastra and the Indus Valley Civilization have been made, but Kapila Vatsyayan is reluctant to speculate on such links given the Indus Valley script remains undeciphered.[16] According to Chakrabarti, Vastu Vidya is as old the Vedic period and linked to the ritual architecture.[17] According to Michael W. Meister, the Atharvaveda contains verses with mystic cosmogony which provide a paradigm for cosmic planning, but they did not represent architecture nor a developed practice.[18]Varahamihira's Brihat Samhita dated to the sixth century CE, states Meister, is the first known Indian text that describes 'something like a vastupurusamandala to plan cities and buildings'.[18] The emergence of Vastu vidya as a specialized field of science is speculated to have occurred significantly before the 1st-century CE.[17]
Description[edit]
Ancient India produced many Sanskrit manuals of architecture, called Vastu Sastra. Many of these are about Hindu temple layout (above), design and construction, along with chapters on design principles for houses, villages, towns. The architect and artists (Silpins) were given wide latitude to experiment and express their creativity.[19]
There exist many VÄstu-Åastras on the art of building houses, temples, towns and cities. One such VÄstu Åastra is by Thakkura Pheru, describing where and how temples should be built.[7][20] By 6th century AD, Sanskrit manuals for constructing palatial temples were in circulation in India.[21] VÄstu-Åastra manuals included chapters on home construction, town planning,[15] and how efficient villages, towns and kingdoms integrated temples, water bodies and gardens within them to achieve harmony with nature.[11][12] While it is unclear, states Barnett,[22] as to whether these temple and town planning texts were theoretical studies and if or when they were properly implemented in practice, the manuals suggest that town planning and Hindu temples were conceived as ideals of art and integral part of Hindu social and spiritual life.[15]
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The Silpa Prakasa of Odisha, authored by Ramachandra Bhattaraka Kaulachara sometime in ninth or tenth century CE, is another VÄstu Åastra.[23] Silpa Prakasa describes the geometric principles in every aspect of the temple and symbolism such as 16 emotions of human beings carved as 16 types of female figures. These styles were perfected in Hindu temples prevalent in eastern states of India. Other ancient texts found expand these architectural principles, suggesting that different parts of India developed, invented and added their own interpretations. For example, in Saurastra tradition of temple building found in western states of India, the feminine form, expressions and emotions are depicted in 32 types of Nataka-stri compared to 16 types described in Silpa Prakasa.[23] Silpa Prakasa provides brief introduction to 12 types of Hindu temples. Other texts, such as Pancaratra Prasada Prasadhana compiled by Daniel Smith[24] and Silpa Ratnakara compiled by Narmada Sankara[25] provide a more extensive list of Hindu temple types.
Ancient Sanskrit manuals for temple construction discovered in Rajasthan, in northwestern region of India, include Sutradhara Mandana's Prasadamandana (literally, manual for planning and building a temple) with chapters on town building.[26]Manasara shilpa and Mayamata, texts of South Indian origin, estimated to be in circulation by 5th to 7th century AD, is a guidebook on South Indian Vastu design and construction.[7][27]Isanasivagurudeva paddhati is another Sanskrit text from the 9th century describing the art of building in India in south and central India.[7][28] In north India, Brihat-samhita by VarÄhamihira is the widely cited ancient Sanskrit manual from 6th century describing the design and construction of Nagara style of Hindu temples.[19][29][30]
These ancient VÄstu Åastras, often discuss and describe the principles of Hindu temple design, but do not limit themselves to the design of a Hindu temple.[31] They describe the temple as a holistic part of its community, and lay out various principles and a diversity of alternate designs for home, village and city layout along with the temple, gardens, water bodies and nature.[12][32]
Mandala types and properties[edit]
The 8x8 (64) grid Manduka Vastu Purusha Mandala layout for Hindu Temples. It is one of 32 Vastu Purusha Mandala grid patterns described in Vastu sastras. In this grid structure of symmetry, each concentric layer has significance.[7]
The central area in all mandala is the Brahmasthana. Mandala 'circle-circumference' or 'completion', is a concentric diagram having spiritual and ritual significance in both Hinduism and Buddhism. The space occupied by it varies in different mandala â in Pitha (9) and Upapitha (25) it occupies one square module, in Mahaapitha (16), Ugrapitha (36) and Manduka (64), four square modules and in Sthandila (49) and Paramasaayika (81), nine square modules.[33] The Pitha is an amplified Prithvimandala in which, according to some texts, the central space is occupied by earth. The Sthandila mandala is used in a concentric manner.[33]
The most important mandala is the Manduka/Chandita Mandala of 64 squares and the Paramasaayika Mandala of 81 squares. The normal position of the Vastu Purusha (head in the northeast, legs in the southwest) is as depicted in the Paramasaayika Mandala. However, in the Manduka Mandala the Vastu Purusha is depicted with the head facing east and the feet facing west.[citation needed]
vastu directional chakara
It is believed that every piece of a land or a building has a soul of its own and that soul is known as Vastu Purusha.[34]
A site of any shape can be divided using the Pada Vinyasa. Sites are known by the number of squares. They range from 1x1 to 32x32 (1024) square sites. Examples of mandalas with the corresponding names of sites include:[7]
Modern adaptations and usage[edit]
Vastu Shastra-inspired plan adapted and evolved by modern architect Charles Correa in the design of Jawahar Kala Kendra, Jaipur, Rajasthan.[8][35]
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VÄstu Åastra represents a body of ancient concepts and knowledge to many modern architects, a guideline but not a rigid code.[8][36] The square-grid mandala is viewed as a model of organization, not as a ground plan. The ancient VÄstu Åastra texts describe functional relations and adaptable alternate layouts for various rooms or buildings and utilities, but do not mandate a set compulsory architecture. Sachdev and Tillotson state that the mandala is a guideline, and employing the mandala concept of VÄstu Åastra does not mean every room or building has to be square.[8] The basic theme is around core elements of central space, peripheral zones, direction with respect to sunlight, and relative functions of the spaces.[8][36]
The pink city Jaipur in Rajasthan was master planned by Rajput king Jai Singh and built by 1727 CE, in part around Vastu Shilpa Sastra principles.[8][37][37] Similarly, modern era projects such as the architect Charles Correa's designed Gandhi Smarak Sangrahalaya in Ahmedabad, Vidhan Bhavan in Bhopal,[38] and Jawahar Kala Kendra in Jaipur, adapt and apply concepts from the Vastu Shastra Vidya.[8][36] In the design of Chandigarh city, Le Corbusier incorporated modern architecture theories with those of Vastu Shastra.[39][40][41]
During the colonial rule period of India, town planning officials of the British Raj did not consider Vastu Vidya, but largely grafted Islamic Mughal era motifs and designs such as domes and arches onto Victorian-era style buildings without overall relationship layout.[42][43] This movement, later known as the Indo-Saracenic style, is found in chaotically laid out, but externally grand structures in the form of currently used major railway stations, harbors, tax collection buildings, and other colonial offices in South Asia.[42]
VÄstu Åastra Vidya was ignored, during colonial era construction, for several reasons. These texts were viewed by 19th and early 20th century architects as archaic, the literature was inaccessible being in an ancient language not spoken or read by the architects, and the ancient texts assumed space to be readily available.[36][42] In contrast, public projects in the colonial era were forced into crowded spaces and local layout constraints, and the ancient Vastu sastra were viewed with prejudice as superstitious and rigid about a square grid or traditional materials of construction.[42] Sachdev and Tillotson state that these prejudices were flawed, as a scholarly and complete reading of the VÄstu Åastra literature amply suggests the architect is free to adapt the ideas to new materials of construction, local layout constraints and into a non-square space.[42][44] The design and completion of a new city of Jaipur in early 1700s based on VÄstu Åastra texts, well before any colonial era public projects, was one of many proofs.[42][44] Other examples include modern public projects designed by Charles Correa such as Jawahar Kala Kendra in Jaipur, and Gandhi Ashram in Ahmedabad.[8][35] Vastu Shastra remedies have also been applied by Khushdeep Bansal in 1997 to the Parliament complex of India, when he contented that the library being built next to the building is responsible for political instability in the country.[45]
German architect Klaus-Peter Gast states that the principles of VÄstu Åastras is witnessing a major revival and wide usage in the planning and design of individual homes, residential complexes, commercial and industrial campuses, and major public projects in India, along with the use of ancient iconography and mythological art work incorporated into the Vastu vidya architectures.[35][46]
Vastu and superstition[edit]
The use of Vastu shastra and Vastu consultants in modern home and public projects is controversial.[44] Some architects, particularly during India's colonial era, considered it arcane and superstitious.[36][42] Other architects state that critics have not read the texts and that most of the text is about flexible design guidelines for space, sunlight, flow and function.[36][46]
Vastu Shastra is considered as pseudoscience by rationalists like Narendra Nayak of Federation of Indian Rationalist Associations.[47] Scientist and astronomer Jayant Narlikar considers Vastu Shastra as pseudoscience and writes that Vastu does not have any 'logical connection' to the environment.[3] One of the examples cited by Narlikar arguing the absence of logical connection is the Vastu rule, 'sites shaped like a triangle ... will lead to government harassment, ... parallelogram can lead to quarrels in the family.' Narlikar notes that sometimes the building plans are changed and what has already been built is demolished to accommodate for Vastu rules.[3] Regarding superstitious beliefs in Vastu, Science writer Meera Nanda cites the case of N. T. Rama Rao, the ex-chief minister of Andhra Pradesh, who sought the help of Vastu consultants for his political problems. Rama Rao was advised that his problems would be solved if he entered his office from an east facing gate. Accordingly, a slum on the east facing side of his office was ordered to be demolished, to make way for his car's entrance.[48] The knowledge of Vastu consultants is questioned by Pramod Kumar (citation required), 'Ask the Vaastu folks if they know civil engineering or architecture or the local government rules on construction or minimum standards of construction to advise people on buildings. They will get into a barrage of 'ancient' texts and 'science' that smack of the pseudo-science of astrology. Ask them where they were before the construction boom and if they will go to slum tenements to advise people or advise on low-cost community-housingâyou draw a blank.'[49]
Sanskrit treatises on architecture[edit]
Of the numerous Sanskrit treatises mentioned in ancient Indian literature, some have been translated in English. Many Agamas, Puranas and Hindu scriptures include chapters on architecture of temples, homes, villages, towns, fortifications, streets, shop layout, public wells, public bathing, public halls, gardens, river fronts among other things.[5] In some cases, the manuscripts are partially lost, some are available only in Tibetan, Nepalese or South Indian languages, while in others original Sanskrit manuscripts are available in different parts of India. Some treatises, or books with chapters on Vaastu Shastra include:[5]
See also[edit]Further reading[edit]
References[edit]Free Malayalam Pdf Stories
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Retrieved from 'https://en.wikipedia.org/w/index.php?title=Vastu_shastra&oldid=913380250'
Randamoozham (English: Second Chance) is a 1984 Malayalam novel by Indian author M. T. Vasudevan Nair, widely credited as his masterpiece.[2] The work won the Vayalar Award, given for the best literary work in Malayalam, in 1985.[3] It also won the Muttathu Varkey Award in 1994. The novel has been translated to multiple languages. It was translated into English as Second Turn in 1997. Another English translation by Gita Krishnankutty published in 2013 is titled Bhima: Lone Warrior.[4][5]
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The novel is a retelling of the Indian epicMahabharata from the perspective of Bhima, the second Pandava. The story deviates from the traditional Mahabharata story as it avoids the divine elements of the ancient epic and re-represent the characters and events realistically. One of the reasons critics cite for the novel's cult following is its revisionism, that was a first time in Malayalam literature. The book was translated to Tamil by Kurunjivelan as 'Irandaam Idam' with cover illustration by Trotsky Marudu.
A film adaptation starring Mohanlal is scheduled for 2020; it is set to become India's most expensive film production at US$ 155 million and the most expensive non-English-language film.[6]
Vastu Malayalam Pdf Novels FreePlot[edit]
The story begins with the incident of Mahaprasthanika Parva where the Pandavas leave for the pilgrimage to Himalayas forsaking all the worldly possessions. The story runs through the eyes of Bhima who faces seemingly severe frustrations as a young man. Always destined to be second to his weak elder brother Yudhishthira in seniority and younger brother Arjuna in fame and popularity, Bhima is not given his due as the main architect of the Pandava victory over their cousins Kauravas in the Kurukshetra war, despite killing all the 100 Kauravas. The book unravels all the hardship and dilemmas encountered by Bhima which remain unnoticed. The book explores the emotions of the mighty Pandava as a son, brother, husband and father. The book brings to light the affection that he holds for his wife draupadi and how unnoticed his acts of love remains. The story questions the mourning of Arjuna's son, Abhimanyu when he is killed during the battle while trying to break the Chakravyuh formation, while Bhima's son, Ghatokkach is led to his death by sacrificing his life to save Arjuna's life and his sacrifice too remains unsung and everyone enjoys the happiness of saving Arjuna's life. Towards the end of the book he is shown as the only husband who seems to stop trying to be with darupadi at her last moment during their pilgrimage.
Vastu Malayalam PdfFilm adaptation[edit]
In 2011, director Hariharan announced his plan to adapt Randamoozham to screen, scripted by M. T. Vasudevan Nair himself with Mohanlal cast to play Bhima.[7] Later, V. A. Shrikumar Menon took the project again with Mohanlal in the lead, it was announced in April 2017 that the film adaptation will be produced by B. R. Shetty.[8][9] With its â¹1000 crore (â¹10 billion) budget, the film is expected to be the most expensive film in Indian cinema, and the most expensive non-English language film. The film will be shot in two parts. The first part is planned to be released in 2020.[10][11][12] . Plans for the movie has since been shelved after MT Vasudevan Nair was upset with the pace at which the film was progressing and demanding Srikumar Menon to return the script.[1][2]
References[edit]
External links[edit]Vastu Malayalam Pdf Novels Online
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Randamoozham&oldid=913470048'
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